Thoughts on “The Bee-Loud Glade” by Steve Himmer

When I received The Bee-Loud Glade by Steve Himmer for review from Atticus Books, I wasn’t really sure what to expect. From the first page, though, the book sucked me in, and I knew I would end up liking it. The Bee-Loud Glade will be published on April 4, just a few weeks away.

About the Book:

The Bee-Loud Glade by Steve Himmer (cover)As The Bee-Loud Glade opens, we meet Finch, a hermit living in a cave in the wilderness. He has everything he needs: a garden, a river, shelter, basic supplies. It’s been years since he’s encountered another human being, spoken a word, or donned a shred clothing, and he’s quite happy. Not that life is perfect. For instance, he’s beginning to lose his sight, which isn’t exactly compatible with living alone in the middle of nowhere. And then there are the hikers, who have recently wandered into his neck of the woods.

Soon after we meet Finch, he launches into the story of how he became a hermit. It begins on the day he was fired from his corporate job as assistant to the director of brand awareness at Second Nature Modern Greenery, a company specializing in incredibly lifelike artificial plants. Unemployment isn’t kind to Finch; he stops leaving his apartment, makes himself odd mixtures of foods just to see how they’ll taste, and spends hours watching animal shows or staring at the pattern on his ceiling. But just as Finch begins to run out of food, money, and hope, his salvation arrives in the least likely of places.

Finch’s narration moves from his present situation in the woods to the story of how he came to be there. It’s an odd, enthralling, outrageous tale that’s not like anything I’ve read before.

My Thoughts:

The Bee-Loud Glade delighted me. There is no other word for it. During the few days it took me to read the novel, I immersed myself in it every chance I got. Some of you will remember when I read and reviewed Matthew Dicks’s two novels, Something Missing and Unexpectedly, Milo. Both of Dicks’s books feature quirky story lines, premises that draw you in because they’re so different and clever you just have to find out where they lead. The Bee-Loud Glade had a similar pull for me, also thanks to the novel’s unique plot.

I really enjoyed the story. I won’t reveal more than I’ve said above, as much of the fun comes from watching it unfold. There were moments when I thought, I know where this is going! Sometimes I was right and sometimes not, but I never cared. Even when I’d anticipated a turn of events, I enjoyed hearing about it from Finch. There is also a deeper element to The Bee-Loud Glade, as Finch ponders his life and situation at different points along his journey. I found myself thinking about Finch’s choices and philosophies right alongside Finch himself.

It would have been easy for the central character in a novel like The Bee-Loud Glade to be annoying. Happily, I found Finch to be neither disappointingly trite nor obnoxiously didactic; he wasn’t fanatical or unapproachable. Instead, he struck me as balanced, fairly ordinary, confident enough to follow the path he chose yet humble enough to be lovable. He was the perfect character to tell the story he’s been given. It’s a good thing, too, because the novel rests squarely on his shoulders; there are other characters, of course, but it’s Finch who carries the tale.

I also loved the way The Bee-Loud Glade is structured. It’s fascinating to hear about how Finch became a hermit, but Himmer makes it equally so to spend time with the Finch who has been a hermit for years. I was constantly comparing the landscape of beginning hermit Finch with that of established hermit Finch. I wanted to know how the first world evolved into the second, how the points A and B I’d been shown were connected. I liked the symmetry, too: as present day Finch is re-acclimating to the presence of other people and their world, past Finch is acclimating to a world without those same things. In a way, the structure Himmer chose provides the reader with a view in two directions simultaneously–and it does so very well.

If you enjoy plots that stray from the beaten path, interesting main characters, novels with a bit of depth, and/or stories that explore the relationship between the modern and natural worlds and our place within them, I would highly recommend you give The Bee-Loud Glade by Steve Himmer a try. I doubt you’ll be disappointed; you may even find, as I did, that you’re delighted!

Those are my thoughts. Check out The Bee-Loud Glade by Steve Himmer on GoodReads or LibraryThing, or read other bloggers’ reviews!

Your Turn!

What was the last book that unexpectedly delighted you?

My Week in Books: March 6-12

My Week in Books

Welcome to my weekly Saturday feature here at Erin Reads, where I highlight new books that have entered my life, what I’ve been reading, and what’s happened on Erin Reads over the past week.

New Acquisitions

No vlog this week; weather has kept me out of town longer than planned. Definitely scroll down and check out Marcel the Shell, though, who is taking my place in this week’s video.

I did, however, (re)acquire some books while helping my parents clean out some boxes! Many of the books I read in high school and hated will most likely be revisited during the course of my Classics Reclamation Project. Here’s what I’ve rediscovered:

TBR Additions

I’ve been helping my parents this week, so I’m still woefully behind on my blog reading. If you’ve reviewed something that’s not to be missed, I’d like to invite you to leave me a link in the comments so I make sure to check it out!

Read This Week

I have actually managed to get a little book reading done this week. I finished (and LOVED) The Bee-Loud Glade by Steve Himmer, then A Doll’s House by Henrik Ibsen. I also started The Appointment by Herta Müller for this month’s Reading Buddies.

On audio, I’ve been working on Shantaram by Gregory David Roberts. I’m finishing up disc 9 of 35, but I’m in no way bored. In fact, I’m completely blown away by the narrator’s ability to do accents from different countries! Humphrey Bower himself is Australian, so his accent works well for the main character. He even has a slightly different way of speaking depending on whether he’s narrating or conversing within the narration. On top of that, so far he’s done several versions of Indian accents, Canadian, Swiss, French, German, and American accents. It’s amazing!

Erin Reads Recap

Bonus Video

Marcel the Shell is one of my family’s favorite videos. I hope you enjoy it as well!

httpv://www.youtube.com/watch?v=VF9-sEbqDvU

Your Turn!

How was your reading week? Do tell!

Reading Buddies Discussion: “The Appointment” by Herta Müller

Reading Buddies BadgeWhen Herta Müller won the Nobel Prize in 2009, I was rather ashamed to say I’d never heard of her, even though at that point I’d been working in a bookstore for two years. She immediately went onto my TBR list, and when I came across a copy of The Appointment at a recent library sale, I picked it up. I’m sure it would have languished on the shelf for a long time to come had not some fellow readers offered to read it with me! My version was translated by Michael Hulse and Philip Boehm.

The Appointment is narrated by a young woman, whose name, at about 80 pages in, I have yet to discover. (In fact, judging from the jacket flap’s summary, I’m not sure it’s ever revealed.) She lives in Communist Romania, works in a clothing factory, and is being repeatedly summoned by the secret police. What, precisely, she has done to attract their attention isn’t clear yet, though a few incidents have been eluded to.

The novel isn’t broken into chapters. Instead, the narration moves between the woman’s present, in which the bus she is on is slowly taking her to her ten o’clock appointment with the secret police, and her past, which she tells in a convoluted mixture of memories ranging from her childhood to the present day. She talks about her parents, her second husband Paul, her first husband, and her friend Lilli. She talks about her experiences with the secret police and the rituals she’s developed around the repeated summons.

I like the young woman who’s telling the story. She’s an interesting narrator, honest and reluctant at the same time with a touch of grim humor. For instance, one day she cracked and ate an old walnut on a morning she’d been summoned. Her appointment that day was shorter than usual, and a new ritual developed, as she explains:

“Ever since then I’ve believed in nuts, that nuts help. I don’t really believe it, but I want to have done whatever I can that might help. That’s why I stick to my stone for cracking nuts, and always do it in the morning. Once the nut’s been cracked, it loses its power if it lies open overnight. Of course it would be easier on Paul and the neighbors–not to mention myself–if I split them open in the evening, but I can’t have people telling me what time to crack nuts.” (p. 17)

The Appointment by Herta Muller (cover)I get that–kind of believing in a superstition or ritual, but not really believing, but not wanting to change what you do, just in case it messes everything up. I also really like the woman’s observations about the people around her when she’s riding the bus. She describes an older man, then a younger man with a little boy as well as the bus driver, in ways that reveal not only their appearances, but the kinds of people they might be underneath.. She has a keen eye for observation.

Her memories, on the other hand, have been a little harder to piece together. It’s clear when she talks about her childhood, but the rest of the time it can be difficult for me to determine what happened when. I wonder if it’s one of those novels where all of a sudden, at a certain point, everything makes sense. I do have another 130 pages to go, so it’s possible that’s the case. I hope so!

Müller herself lived in Communist Romania under Ceauşescu’s regime as part of the country’s German minority, and I wonder how many of the narrator of The Appointment‘s experiences and impressions are Müller’s own.

If you’re reading The Appointment, how’s it going for you? If not, have you ever read anything by Herta Müller?

CRP: “A Doll’s House” by Henrik Ibsen

The Classics Reclamation Project is my personal challenge to read and enjoy the classics. Each Wednesday, I post about the classic I’m reading at the moment.

The Classics Reclamation Project

One of the few works I enjoyed reading in my high school English classes was Hedda Gabler, a play by Norwegian playwright Henrik Ibsen. The version I had was in a volume of four plays translated by Rolf Fjelde, though Hedda Gabler was the only one of the four we read for school. While digging through boxes of old books at my parents’ house last year, I rediscovered my high school Ibsen collection, and I’ve decided to spend a few weeks making my way through it.

The first play in the collection is A Doll’s House, arguably one of Ibsen’s most famous plays. It was published in 1879 and, according to Wikipedia, “is often called the first true feminist play.” A Doll’s House centers on the Helmer family and, more specifically, on Nora Helmer. Her husband, Torvald, her three children, her household staff, and several family friends and acquaintances make up the rest of the cast. The whole play takes place in the Helmers’ home.

A Doll's House by Henrik Ibsen (cover)As A Doll’s House opens, Nora is returning from Christmas shopping. She is light and cheerful, flitting around her husband, doting on her children, and fawning over an old friend who comes to visit. She seems the epitome of carefree. As conversations evolve, however, we learn that she is harboring her own secret, one of which she is rather proud but that she cannot allow to be exposed. As her secret threatens to surface, Nora tries frantically to push it back down.

I enjoyed A Doll’s House quite a lot. I started out really disliking Nora, who seemed to need all eyes to be on her and all conversations to be about her. She seemed silly and shallow. But as her secret came out, as Nora was forced to look at her life and make some tough decisions, I liked her much better. I think that, for her time, Nora would have been quite progressive, perhaps even scandalous, even if her actions today don’t seem like much. The rest of the characters fit the roles set out for them: doting and overbearing husband, wise older friend and confidant, et cetera. Against the backdrop of the characters around her, Nora stood out as she struggled against the direction her life was headed.

I also appreciate when a title is subtly tied to the story it names, the connection not immediately obvious but increasingly meaningful as you read the book. I think the very best example of this I’ve encountered so far was Chitra Banerjee Divakaruni’s One Amazing Thing. When the title kicked in for me, I was blown away. A Doll’s House wasn’t so earth-shattering, but it certainly was subtly connected to the play’s plot. I appreciate that skill in naming, as I’m not often particularly impressed by titles.

I hardly remember the details of Hedda Gabler, the only other Ibsen I’ve read, but the feeling I remember from Hedda Gabler is much the same as what I felt as I read A Doll’s House. Ibsen seems to write interesting, multifaceted, boundary-pushing women. He develops them well, allows them to change and grow. I don’t often enjoy plays, but I’m two for two with Ibsen, which bodes well for the rest!

Thoughts on Two Books That Disappointed Me

I’ve felt a little “meh” toward most of the books I’ve read recently. Last week I talked about Three Men in a Boat by Jerome K. Jerome and The Uncommon Reader by Alan Bennett, both audiobooks I didn’t love. Instead of talking about these next two books separately, I’m rolling all the “meh” into a single post so I can be done with it!

Are You Somebody? by Nuala O’Faolain

Are You Somebody by Nuala O'Faolain (cover)Are You Somebody? by Nuala O’Faolain and The Unbearable Lightness of Being by Milan Kundera are two books I fully expected to enjoy, even looked forward to reading. The former is the author’s memoir of growing up and living in Ireland and England, and the latter is a novel I’ve been meaning to read for years that my IRL book group happened to choose for March. Though the two are quite different on just about every front, what bothered me about both is the same. But first, a little about each.

Are You Somebody? is Nuala O’Faolain’s retelling of her childhood in Ireland as well as the years that followed. She writes about her home life growing up, her college days, the slew of jobs she worked, and constant parade people she met. O’Faolain often mentions her mother as well as her struggle to define herself as a separate person from her mother. The whole book felt like a blur to me. As I write this, just a week or two after I finished the book, I can hardly remember a single detail. There was a lot of drinking, plenty of name-dropping, some naive and unhealthy relationships…and that’s all I can recall. To me, the book lacked cohesion, like the author had written down snippets of memories and organized them roughly by time period but never bothered connecting them to one another or fleshing them out. I never felt like I got to know a person (the author included) or understand a place. If I hadn’t been reading the book for a challenge, I’d have given up.

The Unbearable Lightness of Being by Milan Kundera

The Unbearable Lightness of Being by Milan Kundera (cover)

The Unbearable Lightness of Being is, I think, one of Milan Kundera’s best known works. In it, he explores concepts such as lightness and heaviness, along with some philosophical notions, through a rather thin veneer of story. There are Tomas and Tereza, husband and wife; Karenin, their dog; Sabina, one of Tomas’s many mistresses; Franz, another of Sabina’s lovers; and several others. The story of their lives is told in seven parts, which occur largely out of chronological order. The author breaks into the narration frequently, at one point even acknowledging that his characters aren’t real. Philosophical ideas are introduced throughout and then applied to the story, though not in a way that ever made sense to me. Four of the six people in my book group quite liked The Unbearable Lightness of Being, so I’m in the minority, but I was disappointed. Again, I’d probably have given up on it had it not been something I’d committed to reading.

The overarching problem I had with both Are You Somebody? and The Unbearable Lightness of Being was that I just didn’t care. Both books set up a distance between reader and book, the first by skimming over the surface of O’Faolain’s life without ever diving deeper and the second by making the story secondary to the exploration of philosophy and the musings of the author. The only person or character I liked in either book was Karenin, the dog in the Kundera novel. His section was the only one that elicited emotion from me.

I suppose my problem is that I like to be immersed in the books I read. I like books that make me think, but they have to make me feel and experience and see and hear as well. I don’t want to be told a bunch of loosely connected things. I don’t want to read a philosophical or political discourse thinly disguised as fiction. I couldn’t get absorbed in Are You Somebody? or The Unbearable Lightness of Being; both kept their distance. I don’t want to say that I never like books that stay apart from the reader, but for the most part, they leave me cold.

I’m glad I read both books, I suppose, especially the Kundera, which I have been meaning to get to for several years now. I owned copies of both, so if nothing else, that’s two fewer books on my bookshelf!

Your Turn!

What books have you anticipated really enjoying but ended up being disappointed with?