Welcome, Reading Buddies! Sorry for the slightly delayed post — I had to finish The Woman in White this morning. That’s not for a lack of interest but a lack of time! I thoroughly enjoyed Collins’s novel and almost never feel like I was reading a stuffy old classic. Whether that’s because The Woman in White is so enthralling or because I’m getting better at reading older books, I’m not sure!
As always, spoilers are fair game, both in this post and in the comments.
I can’t believe how much I loved this book. It’s the latest in a quick succession of novels I’ve read that employ first-person accounts as a way of compiling a complete and “accurate” narrative. (Another, Bram Stoker’s Dracula, I especially enjoyed.) I really like the way this approach combines potentially unreliable (or at least biased) narrators with the shared goal of accurate reporting. I love hearing from so many different characters and seeing who picks up the thread at what point. It’s so effective in creating a complete picture. As Anne Perry, who wrote the introduction to my Modern Library edition, puts it:
“This not only gives us an immediacy and an urgency that might otherwise be lacking, but, far more cleverly than that, it allows us to see every person through is or her own eyes, so that they become real for us. No one topples over into melodramatic hero or villain, because we understand why they have acted in this or that way” (p. xii).
Even Fosco, cunning mastermind that he is, has a moment to explain himself. Really, the only characters who don’t are Percival and Laura — and I would argue they are the shallowest, most easily stereotyped characters in the entire novel.
I had said two weeks ago that, though I loved Collins’s writing and the way he drew his characters, I couldn’t tell their narrations apart. That all changed very quickly — Frederick Fairlie, Count Fosco, the servants, each had such distinct styles! I think I didn’t see it initially because, of all the narrators, the first few — Walter and Marian — are perhaps the most similar in their feelings of devotion toward Laura and their commitment to do right by her, which seemed to lend a similar flavor to their writing.
I also had some more time to consider Laura and Marian, who I brought up in my discussion post. One commenter on that post pointed out that Collins was something of a feminist, so I think I agree with those of you who said Marian’s disparaging comments about women were most likely meant sarcastically. I still think it’s silly that her “mannish” strength of character dooms her to be a spinster, but such were the times, I suppose. (Did anyone else think Marian and Walter should have run away together??) As for Laura, terrible things certainly happened to her, but as I read I became more and more convinced she’s just a weaker character than the others. Though perhaps I’d have felt differently if we had had a chance to hear her own voice? Oh well. There were plenty of other more interesting characters in the story. Had Laura been strong enough to right the wrongs done to her herself, we would not have gotten to know those other characters!
I don’t read a lot of suspenseful books, so I discovered something about myself as I read The Woman in White. I think there are readers who pause in their reading to consider the path of a story and work out where they think it might go next, and there are readers who barrel full-speed ahead toward the novel’s conclusion, more interested in finding out how the story ends than forming their own conjectures about it. I, it turns out, am 100% the latter kind. Which one are you — or are you another kind of reader I’ve missed?
A few participants already have their posts up:
- Alison @ The Cheap Reader (First Epoch, Second Epoch, Third Epoch)
- Christina @ Ardent Reader (First Epoch)
- Nadine @ (e)Book Read!
I hope you’ll get a chance to visit the other participants. And if you’ve posted about the book on your own blog, please leave your link in the comments below and I’ll add it here!
Thirteen-year-old Salamanca Tree Hiddle — “Sal” for short — is about to embark on a road trip with her grandparents. Their destination: Lewiston, Idaho, where Sal’s mother went by bus when she left Sal and Sal’s father not so long ago. Sal’s father is staying behind in Euclid, Ohio, where he and Sal moved after Sal’s mother left.
In an unnamed country, an epidemic begins: As he waits at a stoplight, a man is struck blind. Faster than it can be combated, the white blindness spreads. How can it be contained? How can it be cured? What should be done with the afflicted? And how can humanity live in a world it cannot see?
Zed has been sent from the future to a time around our own. His mission? Keep history (and thus, the seemingly perfect future from which he comes) intact by preventing counter-agents from tampering with events that shaped the course of human existence. All while keeping a low profile and disturbing history by his presence as little as possible.