Sunday Salon: Updates Galore

The Sunday Salon.com

It’s a day of updates! I’ll just dive right in:

Erin Reads

Well! I’ve gotten through a couple of weeks as a once-again honest-to-goodness student. I’m back to spending long days in the library, pouring over textbooks. I quickly realized I couldn’t sustain my previous posting schedule on Erin Reads but wasn’t sure what would end up being feasible. I’ve done plenty of thinking about setting realistic priorities, and here’s what I’ve come up with:

  • Top priorities are continuing with Reading Buddies (which I LOVE!) and keeping up with galleys I accept for review.
  • I still hope to read a good number of classics, but I can’t keep up with weekly Classics Reclamation Project posts (unless, of course, you want to hear about the same classic for a month straight!). Instead, I’m relaxing the rules a bit. Any classic I read will still count toward the project, but I’ll just post my thoughts on them whenever I finish. Instead of ceasing, CRP posts will just become a little less frequent.
  • I’m letting My Week in Books, my Saturday feature, go for now. I think it was actually the weekly post that took the most of my time, with all the linking and vlogging and such. If I find I have the time, I may try to do Sunday Salon posts that highlight interesting books received, posts from the previous week, and so on.
  • I’m considering (temporarily?) removing some of the more time-consuming widgets in my sidebar. It sounds silly, but the At Present box takes time to update! I’d rather read a blog post with that time.
  • My goal is two posts a week: a review (or other book-related post) on Monday or Tuesday and a Reading Buddies post on Friday. I think that’ll be manageable.
  • I have been skimming my Google Reader when I have a moment. I apologize for being so absent from the comments sections; I hope to get better about that once I’ve gotten into the rhythm of student-ness again!

Armchair BEA

Armchair BEAThis is my first year participating in Armchair BEA, which kicks off tomorrow! It’s a kind of virtual conference that runs simultaneously with Book Expo America, a huge event in the book world, and Book Blogger Convention. Basically, it’s a fun way for bloggers who can’t get to New York City for the festivities to participate. There are all kinds of cool things going on during the week (see the Armchair BEA site for more). Each day there’s a theme on which bloggers post. This year the schedule looks like this:

  • Monday: Who are you, and how do you Armchair? (a bit about the blogger)
  • Tuesday: Giveaways galore, and/or the best of 2011 (giveaway details, if you’re hosting one, or else your favorite books of 2011 so far)
  • Wednesday: Work the network! (blogger interviews; I’ll be interviewing Rebecca from kindle fever!)
  • Thursday: Nurturing relationships (with publishers, authors, etc.)
  • Friday: Blogging about blogging

I’m planning to participate in at least the first three days. Friday will be the Bel Canto Reading Buddies wrap-up, as scheduled.

Books!

In the weeks since I dropped the My Week in Books ball, some very exciting books have found their way into my home. Since the vlogs are on hold, at least temporarily, I’ll share them here:

New Books: May 22, 2011

All four look excellent, and I only wish I had more reading time so I could get to them ASAP!

Your turn!

I’d love to hear from you…what’s new or different in your life? Are you (Armchair) BEA-ing?

Reading Buddies Wrap-Up: “Animal Farm” by George Orwell

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To those who haven’t read Animal Farm by George Orwell: beware! Spoilers are fair game in this post and its comments.

Having finished Animal Farm (my first Orwell), I find myself of two minds. I do feel it’s a good book, worthy its “classic” status and of its wide reading base. Intellectually, I found it quite interesting. However–and I think this was intended–there isn’t much depth to the story in terms of plot intricacies or character development. It’s not the sort of tale one gets swept away in, and because of that, Animal Farm isn’t destined to live amongst my favorites.

I think Animal Farm was much more interesting to me than it would otherwise have been because of the little bit of background I read about Orwell before tackling the novel. I suppose a thorough knowledge of the actual historical events Animal Farm represents would have added interest as well; but lacking that, I turned to the author. Of particular interest to me was how Orwell’s position was (deliberately?) misrepresented in order to make Animal Farm serve purposes it wasn’t intended to serve. The following is an excerpt from the introduction to the Everyman’s Library edition, written by Julian Symons:

“Both Animal Farm and Nineteen Eighty-Four were used not only as anti-Soviet but also anti-Socialist propaganda and their author acclaimed, particularly in the United States, as a one-time Socialist who had seen and repented of his errors. Often what he had said or written was unscrupulously treated. The preface to a Signet paperback edition, published in 1956, which sold several million copies, quoted Orwell’s statement: ‘Every line I have written since 1936 has been written, directly or indirectly, against totalitarianism’. It then omitted the rest of the sentence: ‘and for democratic Socialism, as I understand it.'” (p. xvii)

That’s quite a difference. I read somewhere that many people believed the defeat of the animals at the end of Animal Farm meant Orwell was saying socialism would fail. I wonder how these people could possibly think Orwell portrayed the triumph of the human/pig alliance as a good thing and the defeat of the other animals as right.

There’s a (kind of long) passage in chapter VII which, to me, exemplifies what I understand to be Orwell’s point. From it I get that human rule is worse than the present conditions, though none of the animals expected the path they set out upon in the beginning to go so terribly awry, a sentiment I believe echoes Orwell’s own belief:

Animal Farm by George Orwell (cover)“As Clover looked down the hillside her eyes filled with tears. If she could have spoken her thoughts, it would have been to say that this was not what they had aimed at when they had set themselves years ago to work for the overthrow of the human race. These scenes of terror and slaughter were not what they had looked forward to on that night when old Major first stirred them to rebellion. If she herself had had any picture of the future, it had been of a society of animals set free from hunger and the whip, all equal, each working according to his capacity, the strong protecting the weak, as she had protected the lost brood of ducklings with her foreleg on the night of Major’s speech. Instead–she did not know why–they had come to a time when no one dated speak his mind, when fierce growling dogs roamed everywhere, and when you had to watch your comrades torn to pieces after confessing to shocking crimes. There was no thought of rebellion or disobedience in her mind She knew that even as things were they were far better off than they had been in the days of Jones, and that before all else it was needful to prevent the return of the human beings. Whatever happened she would remain faithful, work hard, carry out the orders that were given to her, and accept the leadership of Napoleon. But still, it was not for this that she and all the other animals had hoped and toiled. It was not for this that they had built the windmill and faced the pellets of Jones’s gun. Such were her thoughts, though she lacked the words to express them.” (p. 56-57)

Switching gears a bit: I was interested to read that the novel’s original title was Animal Farm: A Fairy Story, but the subtitle was dropped for the 1946 US publication and never added back. I’m glad that for once I read the introduction before I read the book, because looking at Animal Farm as a fable put me in a different mind frame than I would’ve been in had I been expecting the sort of novel I’m used to. It read, to me, like an extended Aesop’s fable. And, indeed, a quick Googling of “fable definition” turns up the following:

Noun: 1. A short story, typically with animals as characters, conveying a moral

Granted, Animal Farm isn’t as short as some fables, but it’s much shorter than your typical novel. And the other two characteristics–animal characters and a moral–are definitely present.

Overall? I’m glad I read it. As a novel, I wouldn’t have enjoyed it much, but as a fable, and with a bit of background on Orwell mixed in, I found it a quick and interesting read. (By the way, if you’re looking for more, Wikipedia’s article on Animal Farm is quite extensive, including a character list and more.)

Thoughts on “Miss New India” by Bharati Mukherjee

I read Miss New India by Bharati Mukherjee on my Sony Reader, thanks to NetGalley. The novel is out as of today, May 17, 2011.

About the Book:

The New Miss India by Bharati Mukherjee (cover)Anjali “Angie” Bose has outgrown her life in small-town Gauripur, India. She’s tired of its backward ways, slow pace, and lack of opportunity. When her father begins the search for a suitable husband, Anjali does her best to be a good daughter and go along; after all, since her older sister’s marriage failed, Anjali knows her father needs a success in the match-making arena. But the role she’s being groomed for–that of a dutiful wife and mother–is all wrong for Anjali. Finally, at the urging of her American professor (and with his cash and connections to help her along), Anjali sets off for Bangalore. In this cutting edge, big city environment, Anjali begins the work of carving her path in the world.

My Thoughts:

Miss New India by Bharati Mukherjee was, for me, mostly an intellectual read. I found myself interested in the direction it would take without being particularly swept up in the story. As with most novels, I feel it had its strengths and its weaknesses.

First, I liked what the author did with Anjali. The main character’s young–in her late teens, I believe–and unsure of herself but trying to take confident steps forward in her life. She makes bad decisions. She second-guesses herself. She throws caution to the wind one moment, then immediately regrets it and sets about making amends. She tries to be professional and grown up, yet she can’t resist the temptation to explore the young, wild side of Bangalore. I think Mukherjee did a nice job capturing that beginning of adulthood, when so many doors are open and you feel invincible, yet at the same time you’re not sure how to take the first step.

My feelings toward Anjali as a person were as nuanced as the character herself. She never won my heart, but I was always curious to see where she would end up. At times she disgusted me, frustrated me, made me smile, made me nervous. She tried my patience, but at the same time, I could understand why she acted the way she did.

I also felt the exploration of modern Bangalore was fascinating. Anjali hopes to land a job in a call center. She comes into contact with other call center employees, employee trainers, journalists interested in the topic, and more. I never felt Mukherjee had oversaturated her narrative with her theme, though; rather, it felt very much like I’d been immersed in a niche of the world with which I’d previously had very little contact. I was intrigued to meet characters in various roles and to hear them debate and discuss the direction in which Bangalore was moving.

What fell short for me was twofold. First, the characters who were not Anjali didn’t especially come to life, even if I was interested to meet them and hear what they had to say. They seemed to lean more toward two-dimensional than three-. Second, the story struck me as a bit meandering. Certainly, life can turn out that way–my own has taken its share of unexpected turns. But coupled with this aimlessness was Anjali’s apparently bottomless good luck. She always met the right people at the right moment. Happy accidents abounded. I never worried for her the way I’d expected to, because it always seemed a safety net would pop up at precisely the right time. I didn’t find the plot predictable, though, and as I said, the themes woven throughout were plenty interesting.

Overall, I’d recommend Miss New India if you enjoy books that nicely incorporate social, economic, and cultural themes as well as anyone who can overlook a few shortcomings in a novel to get at the good stuff.

Those are my thoughts. Check out Miss New India by Bharati Mukherjee on GoodReads or LibraryThing, or read other bloggers’ reviews:

Did I miss your review? Please let me know and I’ll add it!

Reading Buddies Discussion: “Bel Canto” by Ann Patchett

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Hello, Bel Canto reading buddies! I’m halfway through the novel, having just finished chapter five of ten. Feel free to talk about any part of the book; just please remember to warn about spoilers! As always, read at your own risk, as this post will most likely contain spoilers as well.

Bel Canto is the first novel by Ann Patchett that I’ve read. I’ve been told by many people that they don’t consider it to be her best work (though no one has told me what is…anyone care to jump in here?). I have Run on my shelf, and if Bel Canto continues in its current vein, I have no doubt I’ll pick up Run at some point.

As you know, if you’ve gotten beyond the first few pages, Bel Canto is about a hostage situation. I knew that going in, as well as that it involved a famous opera singer and took place in South America. And, really, for a novel about a terrorist/hostage incident, not much else has happened in terms of action. I was expecting something fast-paced and nerve-wracking. The scene unfolding in Bel Canto, however, is nothing like similar situations portrayed in movies, on TV, and even in the news. I find myself wondering, do situations like Bel Canto‘s occur? Or is this typical, with Hollywood and journalists playing up the drama? I don’t know how the book will end, of course, but thus far the entire terrorist/hostage relationship has felt a bit off balance, a little surreal to me because it’s so far off from what I’m used to seeing.

That being said, I love what Patchett is doing with her characters. I love the way she moves deftly amongst them, dipping in and out of their consciousnesses so that the reader meets each one easily and in turn. I love all the goodness that’s coming through, the sparks of beauty amidst the tension and fear. Are music and language and kindness such powerful forces that they can cut through the walls that separate one group of people from another? I’m interested to see where Patchett goes.

Bel Canto by Ann Patchett (cover)My favorite character, I think, is Gen. He’s referred to as a translator, yet what he’s really doing is interpreting in real time. Just out of college, I considered putting my major–American Sign Language–toward an interpreting certification and spent a lot of time considering the role of an interpreter. Watching Gen try to decide how to act under pressure and without sleep, seeing him consider which rules and ethics codes to break and which to uphold as he facilitates communication in so many languages and unfamiliar situations, interests me greatly. He seems to me the most human and multifaceted of the characters–at least, up to this point.

Finally, it’s quite interesting reading Bel Canto on the heels of last month’s Reading Buddies book, The Corrections by Jonathan Franzen. It was while reading Franzen’s novel that I realized how important characters are to me. I appreciate good writing and interesting plots, but I have to care about the characters in order to connect with a story. For that reason, even though Franzen’s writing was at times dazzling, I was unable to enjoy his book because I disliked every character he introduced. And for the same reason, even though the terrorist situation isn’t really doing it for me, I find myself drawn into Bel Canto for its characters and their relationships.

So, for me, so far so good. How’s Bel Canto going for you? Do you have a favorite (or least favorite) character? Is this your first Patchett novel? If not, how does Bel Canto compare to others you’ve read?

CRP: A Few Weeks Off

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Well, after a week (and a half, but who’s counting?) away from blogging, I’ve come to the conclusion that time off can be a good thing. I had a wonderful visit with family, even though very little reading and no blogging occurred. I started to see just how much time reading and blogging can take up. I love doing both, of course. But as summer term begins and the pace of life picks up, I’m going to need a little of that time for other things. There’s no way I’ll get to everything on my reading plate. Something’s gotta give!

After a bit of thought, I’ve decided to put my Classics Reclamation Project on the back burner for May. I’ll go back to it in June; I really enjoy the project, so I have no plans to abandon it completely. Actually, I do have a couple of classics already on the schedule anyway: I need to catch up on War and Peace, plus I’m doing Animal Farm this month for Reading Buddies. So May won’t be completely classics-free!

What’s cool, though, is that classics are finding their way into my everyday reading. When the time comes to pick up a new book, I don’t find myself making a beeline for my contemporary fiction shelves anymore. I’d say classics have gained an equal footing with the other fiction I read, which makes me very happy. It seems my classics project has helped me take some big steps toward ditching my long-standing mental prejudice against classics!